{"id":1719,"date":"2013-07-29T21:53:10","date_gmt":"2013-07-29T19:53:10","guid":{"rendered":"http:\/\/www.culture-nature-magazine.info\/wordpress\/?p=1719"},"modified":"2016-04-03T21:44:51","modified_gmt":"2016-04-03T19:44:51","slug":"me%e2%80%99shell-ndegeocello-e-george-benson-tra-intimismo-e-prevedibilita","status":"publish","type":"post","link":"https:\/\/www.culture-nature-magazine.info\/wordpress\/29\/me%e2%80%99shell-ndegeocello-e-george-benson-tra-intimismo-e-prevedibilita\/eventi\/silvia\/","title":{"rendered":"Me\u2019shell Ndegeocello e George Benson, tra intimismo e prevedibilit\u00e0"},"content":{"rendered":"<p style=\"text-align: justify;\">Sabato 27 luglio si sono tenuti gli ultimi live della <strong>14\u00aa edizione del Festival Jazz dei Cinque Continenti<\/strong> di Marsiglia. All\u2019esterno del Palazzo Longchamp, sede tradizionale della rassegna, aspettava che aprisse ufficialmente l\u2019entrata del parco una gran fila di persone, a testimoniare il sold out della serata. Tante le attese per i concerti di due artisti statunitensi molto diversi tra loro, per stilemi musicali e personalit\u00e0.<\/p>\n<figure id=\"attachment_1720\" aria-describedby=\"caption-attachment-1720\" style=\"width: 300px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/www.culture-nature-magazine.info\/wordpress\/wp-content\/uploads\/2013\/07\/Me\u2019shell-Ndegeocello.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-1720\" title=\"Me\u2019shell Ndegeocello\" src=\"http:\/\/www.culture-nature-magazine.info\/wordpress\/wp-content\/uploads\/2013\/07\/Me\u2019shell-Ndegeocello-300x199.jpg\" alt=\"\" width=\"300\" height=\"199\" srcset=\"https:\/\/www.culture-nature-magazine.info\/wordpress\/wp-content\/uploads\/2013\/07\/Me\u2019shell-Ndegeocello-300x199.jpg 300w, https:\/\/www.culture-nature-magazine.info\/wordpress\/wp-content\/uploads\/2013\/07\/Me\u2019shell-Ndegeocello.jpg 450w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-1720\" class=\"wp-caption-text\">Me\u2019shell Ndegeocello<\/figcaption><\/figure>\n<p style=\"text-align: justify;\">La prima parte \u00e8 stata aperta da <strong>Me\u2019shell Ndegeocello<\/strong>. Chi attendeva sonorit\u00e0 fusion, Contemporary R&amp;B tipiche degli album <em>Peace beyond passion<\/em> e <em>Bitter<\/em> \u00e8 rimasto deluso. Si \u00e8 presentata sul palco con un camicione largo, bianco, con disegni a quadratini e attorno al collo una sciarpa grigia: l\u2019unico colore vivace lo emettevano i suoi occhiali da vista rosso vermiglio. Sebbene abbia estrapolato qualche vecchia traccia, i ritmi e le sonorit\u00e0 di brani alla \u201cThe way\u201d non li ha regalati a un pubblico profondamente diversificato: pochi i suoi estimatori, tanti i distratti, troppi quelli che aspettavano la seconda parte della serata.<\/p>\n<p style=\"text-align: justify;\">In ogni caso, Me\u2019shell, molto intimista e introspettiva, ha sviscerato la sua abilit\u00e0 di bassista e songwriter dalla voce profonda, riflessiva, proponendo canzoni dagli ultimi cd, <em>Weather<\/em> e il recente <em>Pour Une \u00c2me Souveraine, <\/em>dedicato alla musica di Nina Simone. Numerosi comunque gli arrangiamenti ricercati, in bilico tra nu soul, jazz, e alternative R&amp;B, molto urban, perfetti per un concerto in un club o in uno spazio appunto intimista come \u00e8 apparsa lei, ma poco adatti per una serata in un parco che ospitava all\u2019incirca tre-quattromila presenze. Forse questo Me\u2019shell l\u2019ha percepito. Ha suonato il basso egregiamente, ha cantato senza ricercare spettacolarizzazione, ha ricordato la sensibilit\u00e0 e la grandezza di Nina Simone, infine ha ringraziato gli astanti per il tempo che hanno speso nell\u2019ascoltarla. <strong>Un\u2019artista sui generis Me\u2019shell Ndegeocello, a modo suo \u201cradicale\u201d, lontana da certi modelli dello star business.<\/strong><\/p>\n<figure id=\"attachment_1721\" aria-describedby=\"caption-attachment-1721\" style=\"width: 255px\" class=\"wp-caption alignright\"><a href=\"http:\/\/www.culture-nature-magazine.info\/wordpress\/wp-content\/uploads\/2013\/07\/george_benson.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-1721\" title=\"george_benson\" src=\"http:\/\/www.culture-nature-magazine.info\/wordpress\/wp-content\/uploads\/2013\/07\/george_benson-255x300.jpg\" alt=\"\" width=\"255\" height=\"300\" srcset=\"https:\/\/www.culture-nature-magazine.info\/wordpress\/wp-content\/uploads\/2013\/07\/george_benson-255x300.jpg 255w, https:\/\/www.culture-nature-magazine.info\/wordpress\/wp-content\/uploads\/2013\/07\/george_benson.jpg 394w\" sizes=\"auto, (max-width: 255px) 100vw, 255px\" \/><\/a><figcaption id=\"caption-attachment-1721\" class=\"wp-caption-text\">George Benson<\/figcaption><\/figure>\n<p style=\"text-align: left;\">Di altra natura \u00e8 stata l\u2019esibizione di <strong>George Benson<\/strong>, istrionico chitarrista, ancora sorprendentemente apprezzato da un pubblico trasversale, giovane e non.<\/p>\n<p style=\"text-align: justify;\">Dopo aver gi\u00e0 avuto modo di assistere a suoi concerti in passato, il live marsigliese \u00e8 stato \u2013 per chi scrive \u2013 decisamente prevedibile. Dei suoi ultimi cd, ha cantato soltanto una traccia, e soprattutto ha attinto da classici stra-conosciuti: \u201cOn Broadway\u201d e soprattutto \u201cGive me the night\u201d. Quest\u2019ultimo brano \u2013 come accade ad ogni suo concerto \u2013 ha \u201csvegliato\u201d la platea portando donne e uomini di ogni et\u00e0 a danzare. Tra brani melliflui come \u201cIn your eyes\u201d, \u201cMoody\u2019s Mood\u201d, \u201cNothing&#8217;s gonna change my love for you\u201d, \u201cLove X Love\u201d \u00e8 riuscito a infilare nella scaletta tracce che non sempre propone, tra cui \u201cBeyond the sea\u201d e \u201cKissing in the moolight\u201d. Del suo ultimo disco <em>Inspiration: a tribute to Nat King Cole<\/em> ha proposto \u201cUnforgettable\u201d con arrangiamenti classicheggianti che per nulla si discostano dall\u2019originale. Sono mancate \u201cBreezin\u201d, \u201cThis Masquerade\u201d, \u201cIt\u2019s all in the game\u201d, \u201cLivin&#8217; Inside Your Love\u201d, e pure la sua versione del classico davisiano \u201cSo what\u201d. Traccia tra le pi\u00f9 insolite \u00e8 stata \u201cMambo Inn\u201d con cui ha messo in risalto ancora una volta i suoi virtuosismi di grande chitarrista. <strong>Virtuosismi che i suoi veri, storici estimatori vorrebbero fossero maggiormente protagonisti dei suoi live, mettendo in secondo piano gli hit di successo<\/strong>.<\/p>\n<p style=\"text-align: justify;\">George Benson ha un\u2019incredibile capacit\u00e0 nel giocare con le corde della chitarra, come testimoniano i primi dischi degli anni \u201960 e \u201970. <em>It&#8217;s Uptown<\/em>, <em>The Other Side of Abbey Road<\/em>, <em>Shape of Things to Come<\/em>, <em>Beyond the Blue Horizon <\/em>sono solo alcuni degli album da lui firmati di maggior spessore musicale, in cui ritroviamo arrangiamenti e ritmiche jazz, soul, fusion. Tra i suoi pi\u00f9 recenti lavori che meritano un ascolto sono <em>That\u2019s right<\/em> e <em>Absolute Benson<\/em> dai quali, purtroppo, non esegue mai, se non raramente, alcun pezzo. I suoi ammiratori, dopo Marsiglia e altri recenti live europei, aspettano ancora con impazienza concerti in cui i successi pop vengano sostituiti da lavori jazz di grande rilievo. George Benson ne \u00e8 ancora capace, deve solo <strong>andare oltre il business e soprattutto le aspettative del grande pubblico, per portare nuovamente al centro dell\u2019attenzione quei ritmi jazz con cui ha iniziato la sua brillante carriera<\/strong>.<\/p>\n<p style=\"text-align: right;\"><em>Silvia C. Turrin<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sabato 27 luglio si sono tenuti gli ultimi live della 14\u00aa edizione del Festival Jazz dei Cinque Continenti di Marsiglia. All\u2019esterno del Palazzo Longchamp, sede tradizionale della rassegna, aspettava che aprisse ufficialmente l\u2019entrata del parco una gran fila di persone, a testimoniare il sold out della serata. Tante le attese per i concerti di due &hellip; <\/p>\n","protected":false},"author":2,"featured_media":1721,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[73],"tags":[57,232,226,68],"class_list":["post-1719","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-eventi","tag-articoli","tag-eventi","tag-musica","tag-provenza"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Me\u2019shell Ndegeocello e George Benson, tra intimismo e prevedibilit\u00e0 - Culture-Nature Magazine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.culture-nature-magazine.info\/wordpress\/29\/me\u2019shell-ndegeocello-e-george-benson-tra-intimismo-e-prevedibilita\/eventi\/silvia\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Me\u2019shell Ndegeocello e George Benson, tra intimismo e prevedibilit\u00e0 - Culture-Nature Magazine\" \/>\n<meta property=\"og:description\" content=\"Sabato 27 luglio si sono tenuti gli ultimi live della 14\u00aa edizione del Festival Jazz dei Cinque Continenti di Marsiglia. All\u2019esterno del Palazzo Longchamp, sede tradizionale della rassegna, aspettava che aprisse ufficialmente l\u2019entrata del parco una gran fila di persone, a testimoniare il sold out della serata. 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